House of Ferraria
2017
Reinforced concrete, water
15 3/4 x 381 7/8 x 236 1/4 in
40 x 970 x 600 cm
Reinforced concrete, water
15 3/4 x 381 7/8 x 236 1/4 in
40 x 970 x 600 cm
The Passing Hour
2017
Concrete blocks, mortar, concrete and natural expansive minerals
66 7/8 x 228 x 5 7/8 in
170 x 579 x 15 cm
Concrete blocks, mortar, concrete and natural expansive minerals
66 7/8 x 228 x 5 7/8 in
170 x 579 x 15 cm
Helmet #3
2017
Cementitious filling screed
11 3/8 x 4 3/8 x 11 1/8 in
29 x 11 x 28 cm
Cementitious filling screed
11 3/8 x 4 3/8 x 11 1/8 in
29 x 11 x 28 cm
If only I could stay (work trousers)
2017
Artist’s working clothes and concrete
59 1/8 x 17 3/4 x 11 3/4 in
150 x 45 x 30 cm
Artist’s working clothes and concrete
59 1/8 x 17 3/4 x 11 3/4 in
150 x 45 x 30 cm
To define a place, to hold it still
2017
Plaster
Plaster
Untitled
2017
Image transference and acetate print on paper
22 7/8 x 16 3/4 in
58 x 42.5 cm
Framed
Image transference and acetate print on paper
22 7/8 x 16 3/4 in
58 x 42.5 cm
Framed
Rising column, a sense of absence
2017
Plywood and pine wood
98 3/8 x 13 3/4 x 13 3/4 in
250 x 35 x 35 cm
Plywood and pine wood
98 3/8 x 13 3/4 x 13 3/4 in
250 x 35 x 35 cm
If only I could stay (protective boots)
2017
Artist’s work boots and concrete
9 1/8 x 6 3/4 x 13 in
23 x 17 x 33 cm
Each
Artist’s work boots and concrete
9 1/8 x 6 3/4 x 13 in
23 x 17 x 33 cm
Each
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Teresa Braula Reis' practice is developed within the urban landscape, more specifically around the universe of construction and it questions ideas of time, temporality and decay within architecture.
Her body of work deals with the idea of the ruin and the contemporary forms of collective nostalgia.
She is interested in the dualistic condition of the act of building which is always shadowed by a decaying or destruction process and the concept of demolition is a particular interest in her most recent body of work.
Her work spans a variety of media, including video and works on paper, but sculpture is her main media, working with materials from the universe of construction, such as concrete, steel and rubble.
The artist currently lives and works in Lisbon, Portugal.
