Biography

Influenced by notions of bewilderment and entanglement, Francesca Mollett uses paint to express an intimate, porous exchange between a human presence and more-than human bodies; water, stones, plants, weather. In her paintings, whilst forms verge on being recognizable, thresholds open and then fold in on themselves; the material body dissolves; and structures liquefy. Emotional events within literature mediate Mollett’s perception, in particular when a character experiences an encounter that deconstructs their expected version of what’s known, expanding their sense of potential, and making moments of deep connection with their surroundings. The paintings often combine these collective experiences with personal immersion within a place or an absorbing encounter with a non-human being where research into their mythology, geology, and biology often become metaphors for looking and inform aspects of each painting’s layers.

 

Mollett views her language of abstraction as interpretations of surface. For instance, responses to particular qualities of light on the stony, mossy inside of a sacred well are translated and re-invented with acrylic and oil on calico - a thin, smooth, skin-like surface that allows luminous fluidity but also holds weight and texture. She is intrigued by the conceit that the surface of a painting can be a place to experience an inner reality. The surface of a painting and the surface of a pond are both taut areas: an entry or a stirrring of the wind on the pond can break and scatter the surface, and offer depth and the unknown. In composing the painting, she looks carefully at how motion and direction in each area react and relate to one another, questioning what’s needed for the essence to remain, and what can open up new possibilities towards an image. The shifting passages portray a version of consciousness that alternates between continuous flow and sudden thoughts - a fragmented interior space full of collages of memory and anticipations of the future.

 


 

Francesca Mollett was born in Bristol, UK in 1991.  She graduated with an MA in Painting from the Royal College of Art, London in 2020, and previously studied at The Royal Drawing School (2015) and Wimbledon College of Arts (2014) and is the recipient of the Aidan Threlfall Award (2020). Recent exhibitions include The Kingfisher's Wing, curated by Tom Morton at GRIMM, New York, NY (2022); Spiral Walking, Baert Gallery, Los Angeles, CA (2022); An Ode to Orlando, curated by Marcelle Joseph at Pi Artworks, London, UK (2022); Down in Albion at L.U.P.O., Lorenzelli Projects, Milan, Italy (2021); Le coeur encore at The Approach, London, UK (2021); Wild Shade at Informality Gallery, Henley-on-Thames, UK (2021);  Diaries of a Climate at Baert Gallery, Los Angeles, CA (2021) and London Grads Now, at Saatchi Gallery, London, UK (2020). Francesca has co-curated a number of shows, including Dust sheet embroidered snow, Project Gallery, Arundel (2019); The Value of Liveliness, White Crypt, London (2018); and Smoke gets in your eye, rural BAES, near Lewes (2018). She co-ran and founded ‘The Benevolent Association of Excellent Solutions’, a set of artist studios and project space in Deptford from 2015-2016.

Selected Artworks
  • Francesca Mollett, Arena, 2021-22
    Francesca Mollett
    Arena, 2021-22
    Oil and acrylic on canvas
  • Francesca Mollett, Shapes of steam, 2022
    Francesca Mollett
    Shapes of steam, 2022
    Oil and acrylic on canvas
  • Francesca Mollett, Underwing, 2022
    Francesca Mollett
    Underwing, 2022
    Oil and acrylic on calico
  • Francesca Mollett, Coils, 2021
    Francesca Mollett
    Coils, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Letter, 2021
    Francesca Mollett
    Letter, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Spiral Walker, 2021
    Francesca Mollett
    Spiral Walker, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Speeds of tortoiseshell, 2021
    Francesca Mollett
    Speeds of tortoiseshell, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Pupil of the eye, 2021
    Francesca Mollett
    Pupil of the eye, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Mary at the well, 2021
    Francesca Mollett
    Mary at the well, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Gyre, 2022
    Francesca Mollett
    Gyre, 2022
    Oil and acrylic on canvas
  • Francesca Mollett, Subterranean Decor, 2020
    Francesca Mollett
    Subterranean Decor, 2020
    Oil and acrylic on calico
  • Francesca Mollett, Centuries of sleep, 2020
    Francesca Mollett
    Centuries of sleep, 2020
    Oil and acrylic on calico
  • Francesca Mollett, My mouth will be buried, 2021
    Francesca Mollett
    My mouth will be buried, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Silver Hours, 2020
    Francesca Mollett
    Silver Hours, 2020
    Oil and acrylic on calico
  • Francesca Mollett, Mystic, 2020
    Francesca Mollett
    Mystic, 2020
    Oil and acrylic on calico
  • Francesca Mollett, The Source, 2021
    Francesca Mollett
    The Source, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Tufa dreams, 2021
    Francesca Mollett
    Tufa dreams, 2021
    Oil and acrylic on calico
  • Francesca Mollett, Boscawell, 2020-2021
    Francesca Mollett
    Boscawell, 2020-2021
    Oil and acrylic on calico
Exhibitions
News
Press